“Among all the arts, it is the art of alchemy which most closely imitates nature.� - Albertus Magnus (teacher of St. Thomas Aquinas), ca.1250 Alchemists are notorious for attempting to synthesise gold. Their goals, however, were far more ambitious: to transform and bend nature to the will of an industrious human imagination. For scientists, philosophers, and artists alike, alchemy seemed to hold the key to unlocking the secrets of creation. Alchemists' efforts to discover the way the world is made have had an enduring impact on global artistic practice and expression. Concoctions produced in the world’s alchemy labs include inks, dyes, and oil paints; cements and ceramic glazing; dazzling effects in metalwork and glass - and the modern media which now claim boasting rights as the ultimate chemical mirrors of nature: photography and the liquid crystal displays of the digital world. Alchemy may well be the most important human invention after the harnessing of fire. It was certainly a direct result, with consequences both inspired and dire. The field spurred on advancements in the visual arts and aids to human health. Ancient Chinese alchemists also unleashed the black magic of gunpowder onto the world of warfare. This book is the first to explore how the art of alchemy globally transformed human creative culture from antiquity to the industrial age, and displays the ways its legacy still permeates the world we make today.

Many graffiti artists carry sketchbooks, called black books, and they ask crew members and others whose work they admire to inscribe their books with lettering or drawings. A few years ago, the Getty Research Institute invited artists, including Angst, Axis, Big Sleeps, Chaz, Cre8, Defer, EyeOne, Fishe, Heaven, Hyde, Look, ManOne, and Prime, to consider the idea of a citywide graffiti black book. During visits to the Getty Center, the artists viewed rare books related to calligraphy and letterforms, including works by Albrecht Durer and Leonardo da Vinci. The artists instantly recognized the connections to their own practices and were particularly drawn to a liber amicorum (book of friends), a form of autograph book popular in the seventeenth century. Passed from hand to hand, it was filled with signatures, poetry, and coats of arms, like a black book from another era. Inspired by this meeting of minds across centuries, these artists became both creators and curators, crafting their own pages and inviting others to contribute. Eventually 150 Los Angeles artists decorated 143 individual pages. These were bound together into an exquisite artists' book that became known as the Getty Graffiti Black Book. This publication reproduces each page from the original artists' book and recounts the story of an unprecedented collaboration across the diverse artistic landscape of Los Angeles.